Sample Modeling French Horn And Tuba скачать

The largest, most elaborately miked collection featured here, Fable Sounds Broadway Big Band contains over 140,000 samples optimised for authentic big-band and jazz arrangement, but also packing the styles and attitude required for a pop/rock/R&B horn section. At the heart of the library is a set of solo instruments (trumpet, trombone, soprano, alto, tenor and baritone saxes, clarinet) benefiting from true legato samples, a great asset for creating smooth, flowing big-band harmonised melody lines. A separate second instrument is provided for the trumpet, alto and tenor saxes, and 21 additional instruments, including drum kit, stand-up bass, banjo, xylophone and Latin percussion, are also included so you can create full big-band arrangements in the box. All instruments were recorded in a neutral studio acoustic, mostly in mono.

With full-length samples, a deep matrix of velocity splits and soundboard modeling from the specific piano we captured, the Philharmonik Grand is ready to perform as both solo instrument and supporting cast member of the larger orchestra.

Sample Modeling French Horn And Tuba скачать

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This SWAM Solo Brass Bundle includes ALL the SWAM Solo Brass Instruments in one convenient cost saving bundle. This bundle includes the SWAM Flugelhorn, SWAM Flugelhorn (Eb), SWAM Trumpet (Bb), SWAM Trumpet (C), SWAM Piccolo Trumpet, SWAM Double Bass Trombone, SWAM Bass Trombone, SWAM Tenor Bass Trombone, SWAM Tenor Trombone, SWAM Alto Trombone, SWAM Bass Tuba, SWAM Tuba (Eb), SWAM Euphonium, SWAM French Horn (F), and SWAM French Horn (Bb). Forget about the typical limitations of traditional samplers: SWAM Solo Brass Bundle Bundle is developed by Audio Modeling using their SWAM Technology (Synchronous Waves Acoustic Modeling), a combination of innovative performance techniques and concepts of physical and behavioral modeling. These brass instruments are Physical Models- and do not use any samples so they are extremely lightweight (only a few Megabytes).

Developed by Audio Modeling using the SWAM Technology (Synchronous Waves Acoustic Modeling), a combination of innovative performance techniques and concepts of physical and behavioral modeling, SWAM Violin doesn't include any samples and is extremely lightweight (only a few Megabytes). The smallest footprint of SWAM Violin puts aside the issue of Giga-sized pre-recorded libraries, and its organic consistency is the result of the various expressive parameters that are unique of every live performance and typical of traditional instruments. You can use SWAM Violin for Classical, Country, Pop music and any other musical genre, by layering it in a section with no artifacts and simply selecting different timbres for each instance.

All SWAM Engine digitally handcrafted acoustic instruments allow you to control the expression of a virtual acoustic instrument: whereas a sample library repeats a pre-recorded sound, SWAM instruments play for real. SWAM Violin is an instrument based on physical modeling. So it is possible to control the main mechanical variables in real time. For example, the velocity controls the attack of the sound and the portamento time as well when playing legato. The Mod Wheel can control the vibrato and any foot pedal can be assigned to the expression. There is indeed no limit to the number of possible combinations.

• Click image for large photo Instrument parameters All the following parameters are controllable in real-time (through MIDI) or by a Digital Audio Workstation: Expression (Dynamic)

• Note transitions (Staccato / Legato / Portamento) with no KeySwitches

• Bow Pressure & Position

• Play Mode (Bowed, Pizzicato, Col Legno)

• Mono vs Double polyphony

• Vibrato Depth & Rate

• Tremolo On/Off & Speed

• Harmonics

• Portamento Time & Split Point (across strings)

• Attack speed & Dynamic Transitions

• Sordino On/Off

• Preferred string selection

• Alternate Fingering

• Bow Lift & Start (Up / Down)

• Sustain

• Microtuning

• Main Volume, Pan Pot, & Reverb Mix

SWAM Solo Strings Viola SWAM Viola is the most realistic, real-time controllable, expressive virtual viola on the market. Developed by Audio Modeling using the SWAM Technology, it guarantees the same natural reactions the real instrument would have. Why? Because the SWAM Technology overcomes the objective limitations that are typical of traditional samplers through a combination of innovative performance techniques and concepts of physical and behavioral modeling, with no samples required. The first benefit? Lightness! SWAM Viola only weighs a few Megabytes.

Expressive, realistic, real-time controllable via MIDI controller: SWAM Cello is all of this, and so much more! Developed by Audio Modeling using the SWAM Technology, this digitally handcrafted acoustic instrument is based on a combination of innovative performance techniques and concepts of physical and behavioral modeling, and does not include any samples. The result? A flawless and extremely lightweight virtual Cello weighing only a few Megabytes!

This bundle contains ALL FOUR of the SWAM Solo String instruments- SWAM Violin, SWAM Viola, SWAM Cello, and SWAM Double Bass- in a convenient cost-saving bundle. Forget about the typical limitations of traditional samplers: SWAM Solo Strings Bundle is developed by Audio Modeling using the SWAM Technology (Synchronous Waves Acoustic Modeling), a combination of innovative performance techniques and concepts of physical and behavioral modeling. They don't include any samples and are extremely lightweight (only a few Megabytes). Therefore, no Giga-sized pre-recorded libraries are needed: the smallest footprint creates the perfect organic consistency resulting from the endless expressive parameters that are unique to every live performance. Solo String Bundle gives you the chance to play in real-time a realistic virtual violin, viola, cello or double bass in real-time via MIDI controller, while fully managing the expression of all virtual acoustic instruments.

This collection is comprised of four instruments- Flute, Alto Flute, Bass Flute, and Piccolo. Tired of Giga-sized pre-recorded libraries of flutes and of the objective limitations of traditional samplers? SWAM Flutes is the solution. Developed by Audio Modeling using the SWAM Technology (Synchronous Waves Acoustic Modeling) through a combination of innovative performance techniques and concepts of physical and behavioral modeling with the multi-vector/phase-synchronous sampling technique. Real-time controllable via MIDI controller, SWAM Flutes requires only the smallest footprint to create the perfect organic consistency resulting from the endless expressive parameters that are unique of every live performance. The most expressive and realistic virtual flutes on the market.

SWAM Double Reeds can be used for Classical, Pop, and any other musical style. Whereas a sample library repeats a pre-recorded sound, SWAM instruments play for real. In addition, since they are based on a combination of innovative performance techniques and concepts of physical and behavioral modeling, SWAM Double Reeds don't include any samples and are extremely lightweight, weighing only a few Megabytes.

The saxhorns constitute a family of brass instruments with tapered bores. Pitched in eight alternating sizes in E-flat and B-flat, like saxophones, they were originally designed for army use and revolutionized military and brass bands in Europe and America. Developed during the 1840s and 50s, the saxhorn was first patented in Paris in 1845 by Adolphe Sax, though the validity of his patents was challenged by rival instrument makers during his lifetime. Throughout the mid-1850s, he continued to experiment with the instrument's valve pattern. Later makers, particularly in America, altered the scale and designs sometimes to such an extent as to make it difficult to determine whether the larger sizes of the resulting instruments actually have descended from the saxhorn or the tuba. The tenor and baritone horns, amongst other sizes of instruments used in British brass bands, are members of the saxhorn family.[27]

It gives you the ability to play 23 instruments including a flugelhorn, multiple saxophones, trumpets, tubas, trombones, French horns, and the ability to combine all of these for ensembles. It has a pleasantly simple GUI and contains built-in delay and flanger effects.

An organ was first used by the San Francisco synagogue in 1857. The Sutter Street Temple built in 1866 also had an organ installed above the altar. The current Skinner organ was manufactured in 1924 at the same time as the new synagogue. This was during the cantorial service of Reuben R. Rinder, who was a key figure for the musical life of the congregation Emanu-El. For example, he started an annual music festival held in the temple where great compositions inspired by Jewish history were performed, such as Handel's Judas Maccabeus or Mendelssohn's Elijah.The organ has 4 manuals and a pedal (incl. 32' Contrebombarde). The organ's main divisions are located in 5 chambers surrounding the main altar. An echo division is located in a separate chamber at the back of the room. When built, the organ contained 58 ranks. The original stop list can be found on the website of the American Pipe Organ Database. Not much can be tracked reliably about its history, but a few facts are known: In 1926, Skinner himself changed two stops, swapping the Swell Gamba for an Aeoline, and replacing the Gross Bourdon on the Solo for a Flauto Mirabilis. Sometime in the 1960s, the organ was rebuilt and enlarged by Swain & Kates. In 1993, a new console was supplied by Schoenstein. Over its history, the instrument has grown to almost 90 ranks and 88 sounding stops.Today, the organ represents an American Classic instrument rather than maintaining Skinner's original sound ideal. Skinner's characteristic symphonic sound was changed (or "improved" as those at the time might have said), favoring organ revival aesthetics of the time. For example, two new mixtures were added (one of them replacing the Second Diapason on the Great) and the Choir was changed to become an independent division with its own principal chorus. The fate of the organ seems typical for many other American historical organs. However, most of Skinner's stops are still in place and the changes were done more by adding stops than by subtracting them, thus enriching the possibilities of the instrument. The Skinner base is still recognizable with its abundance of dynamically differentiated foundation stops, restrained upper work, characteristic reeds (French horn, Tuba Mirabilis, Orchestral Oboe, Oboe d'Amour, etc.), but many stops have been revoiced over the years to at least some extent. A particular loss compared to the original specification is the Great Second Diapason, useful for smooth dynamic gradation, and removal of the Septime on Choir with its characteristic tonal color in ensembles. Both these stops were re-created digitally and added to the sample set.Much American church music written in the 20th century will sound accurate on an instrument of this kind. For example, the compositions of Richard Purvis (1913-1993) almost seem as if written for this organ. Its disposition fits nearly all of Purvis' registration indications, and given Purvis' time in San Francisco as organist at Grace Cathedral he undoubtedly knew of and played this organ. 2ff7e9595c